{"id":1800,"date":"2024-04-28T11:10:02","date_gmt":"2024-04-28T11:10:02","guid":{"rendered":"https:\/\/rlamas.com\/index.php\/biografia\/escritor\/escuchar-e-interpretar\/"},"modified":"2024-06-06T08:22:37","modified_gmt":"2024-06-06T08:22:37","slug":"escuchar-e-interpretar","status":"publish","type":"page","link":"https:\/\/rlamas.com\/index.php\/biografia\/escritor\/escuchar-e-interpretar\/?lang=en","title":{"rendered":"Escuchar e interpretar"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=\u00bbstretch_row\u00bb equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb css=\u00bb.vc_custom_1713628277283{margin-top: -80px !important;padding-top: 80px !important;padding-bottom: 50px !important;background-color: #0f0f0f !important;}\u00bb][vc_column width=\u00bb2\/3&#8243; css=\u00bb.vc_custom_1561963982378{padding-right: 7% !important;padding-bottom: 30px !important;padding-left: 7% !important;}\u00bb]<div id=\"ultimate-heading-20486a1026eb37077\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-20486a1026eb37077 uvc-5499 \" data-hspacer=\"no_spacer\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-heading-spacer no_spacer\" style=\"top\"><\/div><div class=\"uvc-sub-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-20486a1026eb37077 .uvc-sub-heading '  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"font-weight:normal;\"><span style=\"color: #f0f0f0;\">The figure in the painting \u00abSad Premonitions of What is to Happen\u00bb by Goya appears to be stunned by death and is grappling with questions of identity. Although he is not a musician, he is unaware that in the modern world, answers about one&#8217;s identity can only be found through navigating different meanings. The character in the painting seems to be stripped of his identity, giving himself unconditionally to the observer. Music, especially musical theater, allowed individuals to create costumes to impress others and carve out their own space for survival. The Spanish authors studied in this context experienced expulsion, failure, and the reinvention of their identity in the late 18th and early 19th centuries. Their unique relationship with music prompted a reconsideration of the conflict presented by Goya between ideology and subjectivity, discipline and freedom. The acts of &#8216;listening&#8217; and &#8216;interpreting&#8217; are seen as responses of the Self to its fall into existential negativity, providing a common thread for reflecting on the emergence of modern consciousness.<\/span><\/div><\/div>[vc_empty_space]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-1d876c3924e44089e5e72d12791e6dce.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-1d876c3924e44089e5e72d12791e6dce > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.elargonauta.com\/libros\/escuchar-e-interpretar-ostracismos-musicales-en-los-albores-de-la-conciencia-moderna-espanola\/978-84-206-8981-4\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInDown animate-element animation-builder link-hover-off btn-inline-left \" target=\"_blank\" id=\"default-btn-1d876c3924e44089e5e72d12791e6dce\" title=\"M\u00c1S INFO\" rel=\"noopener\"><i class=\"dt-icon-the7-misc-099\"><\/i><span>MORE INFO<\/span><\/a>[\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_single_image image=\u00bb1727&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1714302599738{margin-bottom: 30px !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb type=\u00bbvc_default\u00bb css=\u00bb.vc_custom_1713776975973{margin-bottom: -60px !important;padding-top: 80px !important;background-color: #000000 !important;}\u00bb][vc_column css=\u00bb.vc_custom_1713776733630{padding-bottom: 20px !important;}\u00bb]<div id=\"ultimate-heading-24136a1026eb373e7\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-24136a1026eb373e7 uvc-2626 \" data-hspacer=\"no_spacer\"  data-halign=\"center\" style=\"text-align:center\"><div class=\"uvc-heading-spacer no_spacer\" style=\"top\"><\/div><div class=\"uvc-sub-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-24136a1026eb373e7 .uvc-sub-heading '  data-responsive-json-new='{\"font-size\":\"desktop:15px;\",\"line-height\":\"desktop:22px;\"}'  style=\"font-family:&#039;Poppins&#039;;font-weight:normal;font-style:normal;color:#a0a0a0;\"><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/rlamas.com\/index.php\/privacidad\/?lang=en\">PRIVACY POLICY<\/a>\u00a0 |\u00a0 <a href=\"https:\/\/rlamas.com\/index.php\/aviso-legal\/?lang=en\">LEGAL WARNING<\/a> \u00a0|\u00a0 2024 Rafael Lamas. 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