{"id":1813,"date":"2024-04-28T11:17:20","date_gmt":"2024-04-28T11:17:20","guid":{"rendered":"https:\/\/rlamas.com\/index.php\/biografia\/escritor\/musica-e-identidad\/"},"modified":"2024-06-06T08:35:56","modified_gmt":"2024-06-06T08:35:56","slug":"musica-e-identidad","status":"publish","type":"page","link":"https:\/\/rlamas.com\/index.php\/biografia\/escritor\/musica-e-identidad\/?lang=en","title":{"rendered":"M\u00fasica e identidad"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=\u00bbstretch_row\u00bb equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb css=\u00bb.vc_custom_1713628277283{margin-top: -80px !important;padding-top: 80px !important;padding-bottom: 50px !important;background-color: #0f0f0f !important;}\u00bb][vc_column width=\u00bb2\/3&#8243; css=\u00bb.vc_custom_1561963982378{padding-right: 7% !important;padding-bottom: 30px !important;padding-left: 7% !important;}\u00bb]<div id=\"ultimate-heading-964969f29d4d00455\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-964969f29d4d00455 uvc-1588 \" data-hspacer=\"no_spacer\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-heading-spacer no_spacer\" style=\"top\"><\/div><div class=\"uvc-sub-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-964969f29d4d00455 .uvc-sub-heading '  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  style=\"font-weight:normal;\"><span style=\"color: #f0f0f0;\">From the Baroque period to the first avant-garde movements, Spanish intellectuals aimed to control musical theater but ended up creating a distorted view of its history. Music in Spain was constrained by strict moral guidelines and the imposition of essentialist references that aimed to define its meaning. However, as Rafael Lamas demonstrates in his analysis of significant cases, the conflict between literature and music led to the emergence of original alternatives to dominant European aesthetics. This paradox reveals the complexity and contradictions inherent in the debates of Spain&#8217;s cultural past, including tensions between progress and conservatism, and between inherited identity and modernization.<br \/>\n<\/span><\/div><\/div>[vc_empty_space]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-684ce848c3ce5179c324ba2a54ff7e02.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-684ce848c3ce5179c324ba2a54ff7e02 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.elargonauta.com\/libros\/musica-e-identidad-el-teatro-musical-espanol-y-los-intelectuales-en-la-edad-moderna\/978-84-206-8283-9\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInDown animate-element animation-builder link-hover-off btn-inline-left \" target=\"_blank\" id=\"default-btn-684ce848c3ce5179c324ba2a54ff7e02\" title=\"M\u00c1S INFO\" rel=\"noopener\"><i class=\"dt-icon-the7-misc-099\"><\/i><span>MORE INFO<\/span><\/a>[\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_single_image image=\u00bb1728&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1714303293908{margin-bottom: 30px !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb type=\u00bbvc_default\u00bb css=\u00bb.vc_custom_1713776975973{margin-bottom: -60px !important;padding-top: 80px !important;background-color: #000000 !important;}\u00bb][vc_column css=\u00bb.vc_custom_1713776733630{padding-bottom: 20px !important;}\u00bb]<div id=\"ultimate-heading-720069f29d4d008be\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-720069f29d4d008be uvc-3578 \" data-hspacer=\"no_spacer\"  data-halign=\"center\" style=\"text-align:center\"><div class=\"uvc-heading-spacer no_spacer\" style=\"top\"><\/div><div class=\"uvc-sub-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-720069f29d4d008be .uvc-sub-heading '  data-responsive-json-new='{\"font-size\":\"desktop:15px;\",\"line-height\":\"desktop:22px;\"}'  style=\"font-family:&#039;Poppins&#039;;font-weight:normal;font-style:normal;color:#a0a0a0;\"><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/rlamas.com\/index.php\/privacidad\/?lang=en\">PRIVACY POLICY<\/a>\u00a0 |\u00a0 <a href=\"https:\/\/rlamas.com\/index.php\/aviso-legal\/?lang=en\">LEGAL WARNING<\/a> \u00a0|\u00a0 2024 Rafael Lamas. All Rights Reserved<\/p>\n<p><\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=\u00bbstretch_row\u00bb equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb css=\u00bb.vc_custom_1713628277283{margin-top: -80px !important;padding-top: 80px !important;padding-bottom: 50px !important;background-color: #0f0f0f !important;}\u00bb][vc_column width=\u00bb2\/3&#8243; css=\u00bb.vc_custom_1561963982378{padding-right: 7% !important;padding-bottom: 30px !important;padding-left: 7% !important;}\u00bb][vc_empty_space][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_single_image image=\u00bb1728&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1714303293908{margin-bottom: 30px !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb type=\u00bbvc_default\u00bb css=\u00bb.vc_custom_1713776975973{margin-bottom: -60px !important;padding-top: 80px !important;background-color: #000000 !important;}\u00bb][vc_column css=\u00bb.vc_custom_1713776733630{padding-bottom: 20px !important;}\u00bb][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1756,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1813","page","type-page","status-publish","hentry","description-off"],"_links":{"self":[{"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/pages\/1813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/comments?post=1813"}],"version-history":[{"count":3,"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/pages\/1813\/revisions"}],"predecessor-version":[{"id":1816,"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/pages\/1813\/revisions\/1816"}],"up":[{"embeddable":true,"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/pages\/1756"}],"wp:attachment":[{"href":"https:\/\/rlamas.com\/index.php\/wp-json\/wp\/v2\/media?parent=1813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}